Be Brave, be bold…but don’t be ignorant…especially when the whole world can see you
There’s a reason I don’t like reading comments on public
forum pages like Facebook and You Tube.
Just because you have the right to speak doesn’t mean you should. I believe in a free exchange of ideas,
but I want there to be an intelligent debate with arguments that can be backed
up by facts and not just opinion.
Very rarely do I find thoughtful and intelligent comments on these pages
(although there were a few comments pointing out the ignorance that riddled
this particular You Tube page).
Every once in awhile, though, I find I can’t help myself. I begin to
read comments on these public forums…like I did this afternoon regarding the
new trailer for Pixar’s Brave. I was going to post something in
response directly on You Tube, but they limit my speech and I had much more to
respond to than the limited space I am given. So, here are my responses to some of what I read…
(1) Some comments mentioned the bad accents…comparing it to Shrek and How To Train Your Dragon as well as other films. Shrek was set
in a fantasy fairytale location, and Mike Myers chose to use his over-the-top
imitation of a Scottish accent. How
to Train Your Dragons was about Vikings and
not set in Scotland, so don’t show how untrained your ears are to the
differences in cultural speech.
Please do your homework, people.
Five of the main characters in this film were voiced by Scottish actors
– Kelly Macdonald, Kevin McKidd, Billy Connolly, Craig Ferguson and Robbie
Coltrane. I’m not sure how much
more authentic of a Scottish accent you can get. Two of the other main characters were voiced by British
actors – Emma Thompson and Julie Walters.
Well, perhaps their accents aren’t quite as authentic…
(2) Some of the comments stated that this looked more like a
Dreamworks' film, implying a lesser quality, than a Pixar film. Aesthetically speaking, based on the
short time frame of the trailer, I don’t know how you can make a judgment like
that. From what I saw, the design
style of the setting and the characters features as well as the overall feel
looks much more like Ratatouille, Wall-E and Up
then it does of any of the DreamWorks animated films. A final analysis of the animation style will have to be reserved
for the final product upon its release.
(3) And this final rebuttal is probably the most
important. There were a number of
comments on the film’s plotline…which at the moment is still relatively
unknown. There were multiple
worries that it would be just like Mulan.
There was even a comment that stated ‘the whole "princess overcoming
gender stereotypes" story is done a lot’ (posted by VeryWittyName). The fact that there is one other animated
film with a female protagonist that people are worried about it being too much
like is almost laughable. What a tragedy if we have another film here in the
year 2011 – making it 2 in the last 13 years – that shows a strong female
warrior! And I challenge
VeryWittyName to list more than 10 films with the ‘princess overcoming gender
stereotype’ plotlines. The fact
that we can refer to something as an ‘overcoming gender stereotype’ plotline
just emphasizes the fact that we still have gender stereotypes that need to be
overcome.
This film was written by two women – Brenda Chapman and
Irene Mecchi – and co-directed by Chapman and Mark Andrews. Just so you have statistics about
gender in the film industry: in 2010 women screenwriters made up
10% of the writers on the top 250 grossing films in the country and women
directors made up 7% of the directors on those same films.* We need more films showing female
characters, and minority ethnic characters for that matter, overcoming gender
(and/or racial) stereotypes. We
need more overcoming of gender and racial stereotypes in practice in the
physical world as well. I
sympathize with those of you who feel tortured at having to watch yet another
film about a female overcoming gender stereotypes. I only ask that in return you sympathize with me when I have
to watch the 100s of other films made on a yearly basis, which perpetuate those
stereotypes…
Until I return…
*These statistics can be found in the annual Celluloid
Ceiling report put out by Dr. Martha Lauzen and the Center for the Study of
Women in Television and Film at San Diego State University (http://womenintvfilm.sdsu.edu/research.html).
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